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The Sun Doesn’t Care About Your Floor Plan

Why does the back of the house always feel so dark? A short argument for asking the sun first.

By

Noah Reynolds

Afternoon light falling across an oak-panelled bedroom wall

Most houses are designed room by room, and the windows come later. By then, the sun has already lost. We work the other way. Before we draw a single wall, we stand on the site and watch where the light comes from, and when.

North is generous

Steady all day, low in winter and easy to shade in summer with a decent eave.

East and west are moodier

East is bright and brief, a gift for kitchens. West arrives late, hot and low, and needs managing.

Light only reaches so far

Daylight travels about one and a half to two times the window height into a room. Beyond that, you’re relying on lamps.

The fix is rarely a bigger window. It’s a shorter distance: a courtyard, a high window over the bench, a stair void that borrows sky from upstairs.

Walnut-panelled dining room with a paper lantern and a sunlit table

Look at the edges

A deep window with splayed sides passes light across a surface before it reaches you. It feels far softer than a bright rectangle in a thin wall.

Choose surfaces that hold light

Matte limewash spreads light gently. Glossy tile throws it back hard. We test samples on site, in the afternoon sun.

Plan for the quiet hours

Decide early where the morning reading chair goes and which bench catches the last autumn sun. Lamps can be added later. Windows can’t.

Sculptural armchair and a floor lamp in warm afternoon light

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