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Nobody Talks About the Hallways

Everyone briefs a house in rooms. We’d like to talk about the bits in between.

By

Sam Whitfield

Hallway with a slatted timber wall and a stone console, leading to a view of hills

Ask for a dream home and you’ll get a list of rooms. But how a house feels depends on what happens between them.

So we draw the walk first: where you enter, where the bag lands, how a child gets to the bathroom at night.

In defence of the corridor

Circulation is usually treated as wasted space. Yet a hallway with a window at its end, or a landing wide enough for a chair, costs no more floor area. It just makes moving through the house a pleasure.

Squeeze, then release

A low, narrow entry that opens into a tall, bright room makes the room feel bigger than it is. It works in an apartment as well as a cathedral.

Dining corner with timber shelving, sheer curtains and a vase of flowers

Open isn’t always better

Open plans can leave nowhere to retreat, with every sound and smell travelling everywhere. We think about sequence instead: what you see, and what you discover.

Generous and private

A screened dining nook, a sliding door to the study, a change of level between kitchen and lounge. Openness without losing privacy.

A plan isn’t finished until you can walk it in your head, from front door to bed, without hesitating.

Long hallway with woven wall pieces and a glass wall onto a garden

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